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Elizabet Cerviño

GUARDA 2017, Video, 18:28 minutes. Photo: Nestor Kim

Elizabet Cerviño

Sole plate 2018. Photo Nestor Kim

Elizabet Cerviño

Sole plate 2018. Photo Nestor Kim

Elizabet Cerviño

Sole plate 2018. Photo Nestor Kim

Elizabet Cerviño

CHASQUIDOS exhibition view, Pabellón Cuba, La Habana. Photo Nestor Kim

Elizabet Cerviño

Mónadas, exhibition view Galleria Continua, San Gimignano. Ph Ela Bialkowska.

Elizabet Cerviño

Testimonio de la Brisa 6, 2018, iron oxide on linen, 218 x 400 cm. Ph Ela Bialkowska.

Elizabet Cerviño

Testimonio de la Brisa 6, 2018, iron oxide on linen, 218 x 400 cm. Ph Ela Bialkowska.

Elizabet Cerviño

Altar, 2018, 108 engraved alabaster plates, 80 x 105 x 120 cm. Ph Ela Bialkowska.

Elizabet Cerviño

Altar, 2018, 108 engraved alabaster plates, 80 x 105 x 120 cm. Ph Ela Bialkowska.

Elizabet Cerviño

Altar, 2018, 108 engraved alabaster plates, 80 x 105 x 120 cm. Ph Ela Bialkowska.

Elizabet Cerviño

Oración, 2018, graphite engraved, 59 plates: 10 x 17 x 4 mm each. Ph Ela Bialkowska.

Elizabet Cerviño

CHASQUIDOS exhibition view, Pabellón Cuba, La Habana. Photo Nestor Kim

Elizabet Cerviño

Oración, 2018, graphite engraved, 59 plates: 10 x 17 x 4 mm each. Ph Ela Bialkowska.

Elizabet Cerviño

Mallas (Nets), 2017, aluminium net, 23 x 44 cm. Ph Ela Bialkowska.

Elizabet Cerviño

Estanque, 2018, sound installation, water. Ph Ela Bialkowska.

Elizabet Cerviño

CHASQUIDOS exhibition view, Pabellón Cuba, La Habana. Photo Nestor Kim

Elizabet Cerviño

Estanque, 2018, sound installation, water. Ph Ela Bialkowska.

Elizabet Cerviño

Duelo, 2013, video, 2'13''. Ph Ela Bialkowska.

Elizabet Cerviño

Blanqueamiento, 2017, performance La Habana, Cuba

Elizabet Cerviño

Palabra lesionada, 2017, performance / installazione in situ, cemento e barra di ferro, Bagni Misteriosi, Teatro Franco Parenti, Milan, 2017

Elizabet Cerviño

Palabra lesionada, 2017, performance / installazione in situ, cemento e barra di ferro, Bagni Misteriosi, Teatro Franco Parenti, Milan, 2017

Elizabet Cerviño

Palabra lesionada, 2017, performance / installazione in situ, cemento e barra di ferro, Bagni Misteriosi, Teatro Franco Parenti, Milan, 2017

Elizabet Cerviño

Viento (Wind), 2017, 150.000 coconut fiber wires, variable dimensions, Photo Michel Pou

Elizabet Cerviño

Viento (Wind), 2017, 150.000 coconut fiber wires, variable dimensions, Photo Michel Pou

Elizabet Cerviño

Beso en tierra muerta, 2016, clay, 325 x 352 cm, Photo Paola Martinez Fiterre

Elizabet Cerviño

Beso en tierra muerta, 2016, clay, 325 x 352 cm, Photo Paola Martinez Fiterre

Elizabet Cerviño

Quebrar (To break), 2017, 59 stones hand quartz, golden leaves 23 k, 10 x 6,5 x 0,8 cm. Total lenght: 519,5 cm, Photo Michel Pou

Elizabet Cerviño

Quebrar (To break), 2017, 59 stones hand quartz, golden leaves 23 k, 10 x 6,5 x 0,8 cm. Total lenght: 519,5 cm, Photo Michel Pou

Elizabet Cerviño

Quebrar (To break), 2017, 59 stones hand quartz, golden leaves 23 k, 10 x 6,5 x 0,8 cm. Total lenght: 519,5 cm, Photo Michel Pou

Elizabet Cerviño

Quebrar (To break), 2017, 59 stones hand quartz, golden leaves 23 k, 10 x 6,5 x 0,8 cm. Total lenght: 519,5 cm, Photo Michel Pou

Elizabet Cerviño

Quebrar (To break), 2017, 59 stones hand quartz, golden leaves 23 k, 10 x 6,5 x 0,8 cm. Total lenght: 519,5 cm, Photo Michel Pou

Elizabet Cerviño

Quebrar (To break), 2017, 59 stones hand quartz, golden leaves 23 k, 10 x 6,5 x 0,8 cm. Total lenght: 519,5 cm, Photo Michel Pou

Elizabet Cerviño

Quebrar (To break), 2017, 59 stones hand quartz, golden leaves 23 k, 10 x 6,5 x 0,8 cm. Total lenght: 519,5 cm, Photo Michel Pou

Elizabet Cerviño

Quebrar (To break), 2017, 59 stones hand quartz, golden leaves 23 k, 10 x 6,5 x 0,8 cm. Total lenght: 519,5 cm, Photo Michel Pou

Elizabet Cerviño

Quebrar (To break), 2017, 59 stones hand quartz, golden leaves 23 k, 10 x 6,5 x 0,8 cm. Total lenght: 519,5 cm, Photo Michel Pou

Elizabet Cerviño

De la serie 'Testimonios de la brisa - Farallones' Breeze Testimony - Crags, 2015, iron oxide on lined, 300 x 200 cm, Photo Michel Pou

Elizabet Cerviño

De la serie 'Testimonios de la brisa - Farallones' Breeze Testimony - Crags, 2015, iron oxide on lined, 300 x 200 cm, Photo Michel Pou

Elizabet Cerviño

De la serie 'Temo la Blancura Posada' (I fear the posed whiteness), 2015-2016, oil on canvas, 200 x 300 cm, Photo Michel Pou

Elizabet Cerviño

Mallas (Nets), 2017, 7 aluminium nets, Photo Michel Pou

Elizabet Cerviño

Vuelo de un ala, 2016, latex on linen, triptych: 300 x 150 cm each

Elizabet Cerviño

Vuelo de un ala, 2016, latex on linen, triptych: 300 x 150 cm each;;, ;, 2016-05c-ELIZABET-CERVIÑO-VUELO-CONTINUA.jpg, Vuelo de un ala, 2016, latex on linen, triptych: 300 x 150 cm each

Elizabet Cerviño

De la serie Desgaste, 2016, chalk on sanded paper, 36 x 46 cm

Elizabet Cerviño

De la serie Desgaste, 2016, chalk on sanded paper, 38,5 x 135 cm

Elizabet Cerviño

De la serie Desgaste, 2016, chalk on sanded paper, 70 x 50 cm

Elizabet Cerviño

De la serie Tala Álamo, 2016, poplar, latex and plywood leaves, 45 x 33 x 7 cm

Elizabet Cerviño

De la serie Tala Álamo, 2016, poplar, latex and plywood leaves, 45 x 33 x 7 cm

Elizabet Cerviño

LA EXTENSIÓN DE LA LLUVIA, 2015, transparent monofilament fishing line, Photo Paola Martinez Fiterre

Elizabet Cerviño

LA EXTENSIÓN DE LA LLUVIA, 2015, transparent monofilament fishing line, Photo Paola Martinez Fiterre

Elizabet Cerviño

LA EXTENSIÓN DE LA LLUVIA, 2015, transparent monofilament fishing line, Photo Paola Martinez Fiterre

Elizabet Cerviño

LA EXTENSIÓN DE LA LLUVIA, 2015, transparent monofilament fishing line, Photo Paola Martinez Fiterre

Elizabet Cerviño

De la serie Temo la blancura posada, 2015, oil on canvas, 200 x 260 cm

Elizabet Cerviño

De la serie Temo la blancura posada, 2015, oil on canvas, 200 x 280 cm

Elizabet Cerviño

De la serie Testimonio de la brisa, 2015, oxide on linen, 200 x 320 cm

Elizabet Cerviño

LIMPIAR EL HUMO/CLEANING THE SMOKE, 2015, 7 420 cm wide olganza curtains collect the gray oil previously applied on a 410 x 200 cm canvas

Elizabet Cerviño

LIMPIAR EL HUMO/CLEANING THE SMOKE, 2015, 7 420 cm wide olganza curtains collect the gray oil previously applied on a 410 x 200 cm canvas

Elizabet Cerviño: rituals of nature

Elizabet Cerviño’s work is multimedia as it spans across painting, installation, video and performance. It starts from the inspiration found in the transient and the fragile. It brings up questions surrounding that lost point of union between the body and the environment, nature and culture, spirituality and materialism. It’s through her work that Cerviño tries to understand what of the ephemeral can be perpetuated and present in tradition and ritual. Her spirituality manifests itself in ritual and craftmanship, creating a trinity that allows her work to be more harmonious, independent and connected to a larger whole. Elizabet Cerviño often works with natural elements, water, mud, rain and fog. These are seen as material manifestations and forms of the natural world. They embody the inevitable changing nature of everything. This reflects human thought and action, often unstable like the elusive forms of these natural elements. Cerviño’s performance is often a continuation of her pictorial meditations. The lines are blurred between what parts of performance and what parts of paintings adhere to the very definition of each respective media. It’s within this ambiguity that her works breathe, representing the act of creating. Her main reference is nature and the poets that channel the force of nature who in turn create a sense of identification and complicity within the artist.

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